Jill Baroff | TIME____LINES PDF Print E-mail

Opening: 25.11.2006, 6-10 pm
Exhibition dates: 25.11.2006 – 13.01.2007

We are pleased to present new work by Jill Baroff in the exhibition TIME____LINES.

The passing of time within the phenomena of nature is the main subject of the work of the American artist Jill Baroff. The exhibition TIME____LINES shows the artists examination with this subject matter on and with paper.

The heart of the exhibition TIME____LINES is the complex "New York Harbor" which consists of 31 small format paper sheets (40,6 x 40,6 cm). During the time from the 31st of March until the 30th of April 2005 the artist portrayed the tides in a very unique way. Open databases from the Internet served as the main sources for the artist's research. The changes in the water level during the day are documented on every single sheet of paper. Fine red ink lines on Japanese gampi paper indicate the water levels in accurate detail.

The changes during one day are represented both in horizontal and vertical lines. This structure turns every sheet into a grid that reflects the passing of a phenomenon of nature within a certain time scale. Little dots of ink left by her pen on fragile paper add to the distinctiveness of her recording methods.

But Baroffs "Tide Drawings" do not only exist in these grid-patterned drawings. By using a pair of compasses the artist created pieces of work in which the changes in the water levels are embodied by small concentric circles. The smallest circle in the centre stands for the water level at 12 a.m. Every 6 minutes Baroff added another circle, in red, blue or black ink.

The work "Alluvial Valley" is constructed by using the format of an Asian picture scroll. It represents the Mississippi in all its changes within a time span of several centuries. Baroff layers different shades of cartographic drawings of the river's watercourse over one another – in a very concentrated way.

The piece "Bus Maps" is dedicated to the urban space. By using a scalpel Baroff sectioned the fine red lines that represent the bus services out of a London bus map. She created a fine web, the fragility of which was stressed furthermore by simply being pinned onto the gallery wall. The gallery visitor is confronted with a spiderÕs web of bus routes – unable to leave the given course.


A catalogue will be available.
The Shape of Time, Jill Beroff / Stefana McClure
Kunstverein Grafschaft Bentheim
Text Markus Weckesser
Modo Verlag 2006
48 Seiten / 15,00 EUR incl. 7% Tax


Jill Baroff, was born in 1954, in Summit, New Jersey, she lives and works in New York



Jill Baroff, TIME___LINES Jill Baroff, TIME___LINES "Bus Maps"

Selected Public Collections

Arkansas Arts Center, Little Rock, AR
Cleveland Museum of Contemporary Art, Cleveland OH
Dayton Art Institute, Dayton, OH
Fogg Art Museum, Harvard University Art Museums, Cambridge, MA
Museum of Modern Art, New York, NY
National Gallery of Art, Washington, D.C.
The Pace Collection, San Antonio, TX
Progressive Insurance Co., Cleveland, OH
Staatsgalerie Stuttgart
Yale University Art Museum, New Haven, CT
Baltimor Museum of Art, Baltimor MD

Biographie

geboren 1954 Summit, New Jersey

1976 BFA, Antioch University, Yellow Springs, OH
1978 Artist Seminars Program, Whitney Museum of Art,New York
1980-81 Post Graduate Studies, Hunter College, New York

 

Grants and Fellowships

2001 Aaron Siskind Foundation, Photography grant
1998 Awagami Paper Factory, Japan
1996 National Endowment for the Arts
1995 New York Foundation for the Arts
1994 National Endowment for the Arts
1993 Pollock-Krasner Foundation
1990 MacDowell Colony, Petersborough, NH
1988 MacDowell Colony, Petersborough, NH
  National Endowment for the Arts, Mid-Atlantic Arts Foundation
1987 Pollock-Krasner Foundation

 

 

Solo Exhibitions

2006 The Shape of Time, Kunstverein Grafschaft Bentheim, Neuenhaus
2005 Tide Drawings, Brian Gross Fine Art, San Francisco, CA
2004 Second Nature, Cristinerose / Josée Bienvenu Gallery, New York>
2003 Elementary Measurements, Gallery N. von Bartha, London
2002 Borrowed Scenery, Margarete Roeder Gallery, New York
  Hannover Marktkirche, (Installation), Hannover, Germany
  Scattered Light: new drawings and digital skies, Galerie Krohn, Badenweiler, Germany
2000 Stacked Drawings, Wynn Kramarsky, 560 Broadway, New York
1998 Monochrome in Blue, Gallery Gallery, Japan
  Casting and Gathering, Stark Gallery, New York
  Hales Gallery, London
1997 Kunstraum für Neue Kunst, Hannover, Germany
1995 Beyond the Narrow Gate, Stark Gallery, New York
1994 Stark Gallery, New York

 

Selected Group Exhibitions

2006 New Work, Margarete Roeder Gallery, New York
  "The Fact, Abstract", Dorsky Gallery (Curated by Claire Barliant) Long Iland City, NY
  Mäzene der Kunst auf Papier, Staatsgalerie Stuttgart, Stuttgart
2005 Viermaleins aus Zweitausendsechs, Fruehsorge, Galerie für Zeichnung, Berlin
  Minimalist Art Now, Elvehjem Museum of Art, University of Wisconsin, Madison, WI
  Dating Data, Josée Bienvenu Gallery, New York, NY>
  Minimal Means, Kunstverein Eislingen, Eislingen
  Works on Paper, Shimdt Contemporary Art, St. Louis, MI
2004 Infinite Possibilities, serial imagery in 20th-century drawings, Davis Museum, Wellesley College, Wellesley, MA
  Drawing a Pulse, Jean Paul Slusser Gallery of Art, University of Michigan School of Art and Design, Ann Arbor, MI
  Paintings and Drawings II, Maragrete Roeder Gallery, New York, NY
  Astonishing Knowledge, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
  Color Lines, Islip Museum of Art, East Islip, NY
  Systems Now, Elvehjem Museum of Art, University of Madison, WI
  Gallery Artists, Gallery N. von Bartha, London, England
2003 From Here to There: Maps as Muse, Hirschl & Adler Modern, New York
  The Invisible Thread, New House Center for Contemporary Art, Staten Island, NY
  In the Making: Contemporary Drawings from a New York Collection, U Mass, Amherst, MA
  10 Jahre, Kunstverein Grafschaft Bentheim, Neuenhaus, Germany (catalogue)
  Microwave 4, CristineRose/Josée Bienvenu Gallery, New Yorkd>
  wall projects, Margarete Roeder Gallery, New York
  Drawings of Choice from a New York Collection, Georgia Museum of Art, Athens, GA, Cincinnati Museum of Art, Cincinnati, OH, Bowdoin College Museum of Art, Brunswick, ME
2002 Minimal Art * Ancient China, N. von Bartha Gallery and Ben Jenssens Fine Art, London, England
  Ad Infinitum, a selection of serial works from the collection, Wynn Kramarsky, New York
  Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL, Arkansas Art Center, Little Rock, AK
  25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, NY
2001 Digital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY
  Drawing is another kind of language&, The Contemporary Museum, Honolulu, Hawaii
  Margarete Roeder Gallery, New York
  Boomerang - Collectors' Choice, Exit Art, New York
2000 Contemporary American Drawings from the Sarah-Ann and Werner H. Kramarsky Collection, Pollock Gallery, Southern Methodist University, Dallas, TX
  Drawing is another kind of language&, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL
  Drawing is another kind of language&, Lyman Allyn Museum of Art at Connecticut College, New London, CT
  Endpapers, Neuberger Museum of Art, Purchase, New York
  Drawing, Allston Skirt Gallery, Boston
1999 Centre Regional d'Art Contemporain, Sete, France
  20th Anniversary Exhibition, PS 122, New York
1999- 98 Drawing is another kind of language&, Parrish Art Museum, Southampton, NY. Fonds regional d'art contemporain de Picardie and Musée de Picardie, Amiens, France. Akademie der Künste, Berlin. Kunst-Museum, Ahen, Germany. Kunstmuseum Winterthur, Germany. Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, MA
1998 Visible/Invisible, White Box Gallery, Philadelphia
  Kunstraum für Neue Kunst, Hannover, Germany
1997 Drawing from Life, Stark Gallery, New York
1996 Arbeiten auf Papier, Andrea Pintsch, Münich, Germany
  Projected, Stark Gallery, New York
1995 Aldrich Museum of Contemporary Art, (Installation), Connecticut
1994 Selections, The Drawing Center, New York
1992 Pushing Painting, Stark Gallery, New York
  Cultural Fabrication, John Good Gallery, New York
  Behind Bars, The Thread Waxing Space, New York
  OMI Foundation, Omi, New York

 

Selected Public Collections

Arkansas Arts Center, Little Rock, AR
Cleveland Museum of Contemporary Art, Cleveland OH
Dayton Art Institute, Dayton, OH
Fogg Art Museum, Harvard University Art Museums, Cambridge, MA
Museum of Modern Art, New York, NY
National Gallery of Art, Washington, D.C.
The Pace Collection, San Antonio, TX
Progressive Insurance Co., Cleveland, OH
Stiftung für Konkrete Kunst, Germany
Staatsgalerie Stuttgart
Yale University Art Museum, New Haven, CT
Baltimor Museum of Art, Baltimor MD

 

 
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