|
Opening: 25.11.2006, 6-10 pm Exhibition dates: 25.11.2006 – 13.01.2007 We are pleased to present new work by Jill Baroff in the exhibition TIME____LINES. The passing of time within the phenomena of nature is the main subject of the work of the American artist Jill Baroff. The exhibition TIME____LINES shows the artists examination with this subject matter on and with paper. The heart of the exhibition TIME____LINES is the complex "New York Harbor" which consists of 31 small format paper sheets (40,6 x 40,6 cm). During the time from the 31st of March until the 30th of April 2005 the artist portrayed the tides in a very unique way. Open databases from the Internet served as the main sources for the artist's research. The changes in the water level during the day are documented on every single sheet of paper. Fine red ink lines on Japanese gampi paper indicate the water levels in accurate detail. The changes during one day are represented both in horizontal and vertical lines. This structure turns every sheet into a grid that reflects the passing of a phenomenon of nature within a certain time scale. Little dots of ink left by her pen on fragile paper add to the distinctiveness of her recording methods. But Baroffs "Tide Drawings" do not only exist in these grid-patterned drawings. By using a pair of compasses the artist created pieces of work in which the changes in the water levels are embodied by small concentric circles. The smallest circle in the centre stands for the water level at 12 a.m. Every 6 minutes Baroff added another circle, in red, blue or black ink. The work "Alluvial Valley" is constructed by using the format of an Asian picture scroll. It represents the Mississippi in all its changes within a time span of several centuries. Baroff layers different shades of cartographic drawings of the river's watercourse over one another – in a very concentrated way. The piece "Bus Maps" is dedicated to the urban space. By using a scalpel Baroff sectioned the fine red lines that represent the bus services out of a London bus map. She created a fine web, the fragility of which was stressed furthermore by simply being pinned onto the gallery wall. The gallery visitor is confronted with a spiderÕs web of bus routes – unable to leave the given course. A catalogue will be available. The Shape of Time, Jill Beroff / Stefana McClure Kunstverein Grafschaft Bentheim Text Markus Weckesser Modo Verlag 2006 48 Seiten / 15,00 EUR incl. 7% Tax Jill Baroff, was born in 1954, in Summit, New Jersey, she lives and works in New York
|
| | Jill Baroff, TIME___LINES | Jill Baroff, TIME___LINES "Bus Maps" | Selected Public Collections Arkansas Arts Center, Little Rock, AR Cleveland Museum of Contemporary Art, Cleveland OH Dayton Art Institute, Dayton, OH Fogg Art Museum, Harvard University Art Museums, Cambridge, MA Museum of Modern Art, New York, NY National Gallery of Art, Washington, D.C. The Pace Collection, San Antonio, TX Progressive Insurance Co., Cleveland, OH Staatsgalerie Stuttgart Yale University Art Museum, New Haven, CT Baltimor Museum of Art, Baltimor MD
Biographie geboren 1954 Summit, New Jersey | 1976 | BFA, Antioch University, Yellow Springs, OH | | 1978 | Artist Seminars Program, Whitney Museum of Art,New York | | 1980-81 | Post Graduate Studies, Hunter College, New York | Grants and Fellowships | 2001 | Aaron Siskind Foundation, Photography grant | | 1998 | Awagami Paper Factory, Japan | | 1996 | National Endowment for the Arts | | 1995 | New York Foundation for the Arts | | 1994 | National Endowment for the Arts | | 1993 | Pollock-Krasner Foundation | | 1990 | MacDowell Colony, Petersborough, NH | | 1988 | MacDowell Colony, Petersborough, NH | | | National Endowment for the Arts, Mid-Atlantic Arts Foundation | | 1987 | Pollock-Krasner Foundation | Solo Exhibitions | 2006 | The Shape of Time, Kunstverein Grafschaft Bentheim, Neuenhaus | | 2005 | Tide Drawings, Brian Gross Fine Art, San Francisco, CA | | 2004 | Second Nature, Cristinerose / Josée Bienvenu Gallery, New York> | | 2003 | Elementary Measurements, Gallery N. von Bartha, London | | 2002 | Borrowed Scenery, Margarete Roeder Gallery, New York | | | Hannover Marktkirche, (Installation), Hannover, Germany | | | Scattered Light: new drawings and digital skies, Galerie Krohn, Badenweiler, Germany | | 2000 | Stacked Drawings, Wynn Kramarsky, 560 Broadway, New York | | 1998 | Monochrome in Blue, Gallery Gallery, Japan | | | Casting and Gathering, Stark Gallery, New York | | | Hales Gallery, London | | 1997 | Kunstraum für Neue Kunst, Hannover, Germany | | 1995 | Beyond the Narrow Gate, Stark Gallery, New York | | 1994 | Stark Gallery, New York | Selected Group Exhibitions | 2006 | New Work, Margarete Roeder Gallery, New York | | | "The Fact, Abstract", Dorsky Gallery (Curated by Claire Barliant) Long Iland City, NY | | | Mäzene der Kunst auf Papier, Staatsgalerie Stuttgart, Stuttgart | | 2005 | Viermaleins aus Zweitausendsechs, Fruehsorge, Galerie für Zeichnung, Berlin | | | Minimalist Art Now, Elvehjem Museum of Art, University of Wisconsin, Madison, WI | | | Dating Data, Josée Bienvenu Gallery, New York, NY> | | | Minimal Means, Kunstverein Eislingen, Eislingen | | | Works on Paper, Shimdt Contemporary Art, St. Louis, MI | | 2004 | Infinite Possibilities, serial imagery in 20th-century drawings, Davis Museum, Wellesley College, Wellesley, MA | | | Drawing a Pulse, Jean Paul Slusser Gallery of Art, University of Michigan School of Art and Design, Ann Arbor, MI | | | Paintings and Drawings II, Maragrete Roeder Gallery, New York, NY | | | Astonishing Knowledge, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY | | | Color Lines, Islip Museum of Art, East Islip, NY | | | Systems Now, Elvehjem Museum of Art, University of Madison, WI | | | Gallery Artists, Gallery N. von Bartha, London, England | | 2003 | From Here to There: Maps as Muse, Hirschl & Adler Modern, New York | | | The Invisible Thread, New House Center for Contemporary Art, Staten Island, NY | | | In the Making: Contemporary Drawings from a New York Collection, U Mass, Amherst, MA | | | 10 Jahre, Kunstverein Grafschaft Bentheim, Neuenhaus, Germany (catalogue) | | | Microwave 4, CristineRose/Josée Bienvenu Gallery, New Yorkd> | | | wall projects, Margarete Roeder Gallery, New York | | | Drawings of Choice from a New York Collection, Georgia Museum of Art, Athens, GA, Cincinnati Museum of Art, Cincinnati, OH, Bowdoin College Museum of Art, Brunswick, ME | | 2002 | Minimal Art * Ancient China, N. von Bartha Gallery and Ben Jenssens Fine Art, London, England | | | Ad Infinitum, a selection of serial works from the collection, Wynn Kramarsky, New York | | | Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL, Arkansas Art Center, Little Rock, AK | | | 25th Anniversary Benefit Selections Exhibition, The Drawing Center, New York, NY | | 2001 | Digital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY | | | Drawing is another kind of language&, The Contemporary Museum, Honolulu, Hawaii | | | Margarete Roeder Gallery, New York | | | Boomerang - Collectors' Choice, Exit Art, New York | | 2000 | Contemporary American Drawings from the Sarah-Ann and Werner H. Kramarsky Collection, Pollock Gallery, Southern Methodist University, Dallas, TX | | | Drawing is another kind of language&, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL | | | Drawing is another kind of language&, Lyman Allyn Museum of Art at Connecticut College, New London, CT | | | Endpapers, Neuberger Museum of Art, Purchase, New York | | | Drawing, Allston Skirt Gallery, Boston | | 1999 | Centre Regional d'Art Contemporain, Sete, France | | | 20th Anniversary Exhibition, PS 122, New York | | 1999- 98 | Drawing is another kind of language&, Parrish Art Museum, Southampton, NY. Fonds regional d'art contemporain de Picardie and Musée de Picardie, Amiens, France. Akademie der Künste, Berlin. Kunst-Museum, Ahen, Germany. Kunstmuseum Winterthur, Germany. Arthur M. Sackler Museum, Harvard University Art Museums, Cambridge, MA | | 1998 | Visible/Invisible, White Box Gallery, Philadelphia | | | Kunstraum für Neue Kunst, Hannover, Germany | | 1997 | Drawing from Life, Stark Gallery, New York | | 1996 | Arbeiten auf Papier, Andrea Pintsch, Münich, Germany | | | Projected, Stark Gallery, New York | | 1995 | Aldrich Museum of Contemporary Art, (Installation), Connecticut | | 1994 | Selections, The Drawing Center, New York | | 1992 | Pushing Painting, Stark Gallery, New York | | | Cultural Fabrication, John Good Gallery, New York | | | Behind Bars, The Thread Waxing Space, New York | | | OMI Foundation, Omi, New York | Selected Public Collections Arkansas Arts Center, Little Rock, AR Cleveland Museum of Contemporary Art, Cleveland OH Dayton Art Institute, Dayton, OH Fogg Art Museum, Harvard University Art Museums, Cambridge, MA Museum of Modern Art, New York, NY National Gallery of Art, Washington, D.C. The Pace Collection, San Antonio, TX Progressive Insurance Co., Cleveland, OH Stiftung für Konkrete Kunst, Germany Staatsgalerie Stuttgart Yale University Art Museum, New Haven, CT Baltimor Museum of Art, Baltimor MD |